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opening times digital art commissions menu skip to content collection reading about mailing list facebook twitter search search for: for further information please email, [email protected] . opening times – digital art commissions is a not-for-profit, digital art commissioning body and platform for artworks whose primary means of encounter is online. opening times supports digital practices, experimental publishing and visual culture research through commissions and curated programmes. team paul flannery attilia fattori franchini tim steer founded in 2014 by: rhys coren paul flannery attilia fattori franchini dave hoyland tim steer support arts council rees & company close nothing found we've not published anything here yet. try searching for something else. close subscribe to our mailing list email address please provide a valid email. confirm email emails do not match. first name please enter your name. surname subscribe close patrick goddard dirty deeds done dirt cheap commission 2017 http://dirtydeedsdonecheap.otdac.org/ for his opening times commission, patrick goddard has produced dirty deeds done dirt cheap, a short video including spoken and musical elements that looks at the abstracting tendencies of contemporary high finance; where money no longer bears any relation to the production of useful goods or services. music for the video was commissioned from the london based band henge, playing a doom metal cover version of abba’s classic song, money money money . featuring: regina lazarenko and patrick goddard with specially commissioned music from henge. for an interview with the artist about his commission, please click here . artist patrick goddard category commission tags doom metal , finance , money , video year 2017 patrick goddard is an artist and writer working in london. completing an mfa at goldsmiths university in 2011, he is currently studying for a doctorate at oxford university, in fine art practice. recent shows include: ‘go professional’ at seventeen gallery, london april-june 2017; ‘looking for the ocean estate’ almanac projects, london, nov-dec 2016, ‘gone to croatan’ at outpost gallery, norwich, may-june 2015; ‘revolver ii’ at matt’s gallery, london, november-december 2014. share link share on facebook share on twitter alice theobald taking stock commission 2017 http://takingstock.otdac.org/ for her commission, alice theobald has produced taking stock , a music library made up of 21 specially composed instrumental scores. taking stock with alice theobald is a ongoing project in which her own musical compositions draw upon long-term research into the commodification and economy of emotions through language, sound and intonation and how they shape human experience, interaction and perception. whilst also analysing the affective power of film scores, music for television and stock music. alice theobald develops multifaceted installations that incorporate sculpture, music, performance and video. her work addresses accepted concepts of spectacle and emotion to explore the spectrum of acting and performance present in our everyday lives and the demand for “authenticity”. drawing upon a mixture of pop cultural references, theobald questions the essence of drama, stage and life when representing complex human themes such as love, aspiration, freedom, alienation, memory and doubt. for an interview with the artist about her commission, please click here . artist alice theobald category commission tags emotion , library , music , stock year 2017 alice theobald (b. 1985, leicester, uk) lives and works in huntingdon. selected recent performances, exhibitions, and film screenings include: weddings and babies, pilar corrias gallery, london (2017); the next step, two queens, leicester (2016); alice theobald and atomik architecture, baltic ryder commission, baltic centre for contemporary art, gateshead (2016); you’ve got my back and i’m on your side, frac champagne-ardenne, reims (2016); the boys the girls and the political, lisson gallery, london (2015); the fifth artist, wysing arts centre, cambridge (2015); scene four: home, flat time house, london (2015); dear luxembourg (yours, bucktoothed grl), nosbaum reding projects, luxembourg (2015); marmalade me, south london gallery, london (2014); i’ve said yes now, that’s it., outpost, norwich (2014) and chisenhale gallery, london (2014); after/hours/drop/box, modern art oxford, oxford (2013) and spike island, bristol (2014); young london, v22, london (2013); they keep putting words in my mouth! an operetta of sorts, pilar corrias gallery, london (2013); situation|event, gasworks, london (2013). she is currently working on an opera with her band ravioli me away at wysing arts centre and baltic centre for contemporary art in 2018. share link share on facebook share on twitter zoe williams snail tracks commission 2017 http://snailtracks.otdac.org for her commission williams has produced a collation of nine short video clips arranged in a grid which allude to the language and structure of adult-content websites. these clips magnify and examine the often heavily fetishised surfaces of materials which include fur, leather, cream cakes, ceramics and bodily fluids. each clip features a sound composition by london-based musician patchfinder , simultaneously responding whilst heightening and creating ruptures with the overt sensuality of the imagery. all of the videos can be downloaded and watched for free. the changing images behind the clips also hyperlink to a seemingly tangential selection of website pages. for an interview with the artist about her commission, please click here . artist zoe williams category commission tags fetish , music , technology , video year 2017 zoe williams (b.1983) lives and works in london. recent exhibitions include spring/summer 2015, dca, dundee; pel, galerie antoine levi; ‘chateaux double wide’ glasgow international festival 2016; h y p e r c o n n e c t e d, mmoma, part of 5th moscow international biennale of young artists; tender touches, austrian cultural forum, london; skins, ellis king, dublin. share link share on facebook share on twitter material art fair new feelings screening 2016 http://material-fair.com/es/programa-p%c3%bablico opening times presents new feelings , a screening curated for the public program of material art fair, mexico. ​from the 4th to the 7th february the screening program will be showing simultaneously at material art fair and on the material art fair website. the program focuses on the subjects of capital, desire and bodies and concludes with an epilogue that examines all three through music videos and found footage online. new feelings looks at affective economies in our networked society, bringing together a series of works from artists including maja čule, heather phillipson, jala wahid and andrew norman wilson. these works bear witness to the evolving process of capital governing desire, desire governing the body and the body becoming capital. dates 4th-7th february, 2016 category screening year 2016 share link share on facebook share on twitter goethe-insitut london institutionalising the digital panel discussion, take-over 2015 https://www.goethe.de/ins/gb/en/index.html in collaboration with the goethe-insitut london and melanie bühler , opening times organised institutionalising the digital, a panel discussion and website take-over. institutionalising the digital aimed to highlight a number of recent initiatives to have surfaces that are dedicated to presenting the work of artists in an online environment. branching off into ‘the digital’, institutions now incorporate digital infrastructures as part of their institutional properties, launching digital residencies and giving away grants to support digital works. the talk focussed on the questions and concerns involved in the presentation, facilitation and support of artistic practices online by institutions that are both ‘digitally native’ as well as organisations that preceded

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